QUI A PEUR D'HAMLET?
de Magali Tosato
from
Tuesday, 13 November 2018
to
Saturday, 17 November 2018
Salle René GonzalezThéâtre Vidy-Lausanne
Who killed Hamlet’s father? This investigation, based on Shakespeare’s work, has a taste of the unfinished about it, where total conjecture is possible. A playful, theatrical and immersive experience questioning truth over again and exploring a multiplicity of points of view.
Sold out
Une Chambre en Inde
Ariane Mnouchkine - proposé par le TKM
from
Wednesday, 14 November 2018
to
Sunday, 18 November 2018
Palais de Beaulieu
Vidy is among those inviting the Théâtre du Soleil and Ariane Mnouchkine’s new show Une chambre en Inde to Lausanne – a group of actors, lost without their director, where theatre and laughter combine to banish the fear created by terrorist attacks.
Sold out
de Nacera Belaza
from
Thursday, 15 November 2018
to
Saturday, 17 November 2018
PavillonThéâtre Vidy-Lausanne
"Danse de l’entre-deux rives", la dernière création de la chorégraphe franco-algérienne Nacera Belaza donne corps au vide en effaçant l’individualité derrière un mouvement en variation continue, à la fois répétitif et imprévisible, mêlant sentiment de liberté, dimension spirituelle et puissance d’évocation.
de Jean-Luc Godard
from
Friday, 16 November 2018
to
Friday, 30 November 2018
La PasserelleThéâtre Vidy-Lausanne
A film made up of images taken from cinema’s video memory and from the Internet, which travels through the wreckage of the 20th century, reflecting on the disappointment of the present and the potential for change.
de Winter Family
from
Wednesday, 21 November 2018
to
Friday, 30 November 2018
Salle René GonzalezThéâtre Vidy-Lausanne
Since the arrival of Jewish settlers in the city, Palestinians are forced to leave their houses on Shuhada Street, Hebron’s main street. Winter Family journeys through this district, listening to those who live there and bringing on stage the complexity, violence and absurdity of the situation.
Vernissage du EP "Les Déférlantes" de Billie Bird
Thursday, 22 November 2018
20:00
PavillonThéâtre Vidy-Lausanne
Quelques mois après la parution d’un EP teinté de folk, entièrement francophone, Billie Bird revient avec « Les Déferlantes », un nouvel opus concocté avec Mandrax, artiste et producteur incontournable de la scène indépendante Suisse et internationale. Cette fois, la Lausannoise aux origines franco-espagnoles nous propose une brève trilogie pop sous la forme de 3 nouvelles compositions furieusement évocatrices. Aujourd’hui, Les Déferlantes nous entraîne plus loin en validant la singularité d’une artiste totalement investie dans une quête musicale où il ne saurait être question ni de codes ni de genres. Son opus la voit défricher et conquérir de nouveaux territoires avec ce panache propre aux marin-e-s les plus impertinent-e-s, lesquel-le-s n’ont jamais craint de laisser le vieux monde derrière eux.Line up:
Alberto Malo (batterie), Simon Gerber (basse), Sacha Ruffieux (guitare)
Les Chiens de Navarre/Jean-Christophe Meurisse
from
Tuesday, 27 November 2018
to
Friday, 30 November 2018
Salle Charles ApothélozThéâtre Vidy-Lausanne
Impertinent, not to mention furious, the lively new comedy by the Chiens de Navarre uses all the potential of farce to question France’s national identity, coming up with a shocking psychoanalysis.
Forced Entertainment
from
Tuesday, 4 December 2018
to
Friday, 7 December 2018
PavillonThéâtre Vidy-Lausanne
It’s like a television game show where the contestant has to guess what his competitor is thinking of. Forced Entertainment leads us, trumpets blaring, on a game that no one can win. A theatrical gem that leaves you gasping for breath; joyous yet nightmarish.
LES SÉPARABLES
de D. Catton/C. Suter/F. Melquiot
from
Friday, 7 December 2018
to
Saturday, 15 December 2018
Salle René GonzalezThéâtre Vidy-Lausanne
Romain, a French boy, and Sabah, an Algerian girl, two nine-year-old children living in the same housing estate, build an imaginary world to escape from reality, their fears and their parents’ suspicion. They want to stay together forever, but their parents have decided otherwise.
Sold out
de F. Chaignaud/N. Laisné
from
Wednesday, 12 December 2018
to
Saturday, 15 December 2018
PavillonThéâtre Vidy-Lausanne
Dancer and singer François Chaignaud, along with a baroque quartet, incarnate the incandescent metamorphosis of three traditional Spanish figures: Doncella Guerrera who set out for war dressed as a man, Garcia Lorca’s sensual San Miguel and the Tarara, an androgynous gypsy.
de Forced Entertainment
from
Thursday, 10 January 2019
to
Saturday, 12 January 2019
PavillonThéâtre Vidy-Lausanne
Based on The Notebook by Agota KristofStaying as close as possible to Agota Kristof’s masterpiece, two British actors read in unison the notebook kept by twin brothers sent to the countryside during the war, in which they describe their attempts to render themselves invulnerable to pain.
de Thom Luz
from
Wednesday, 16 January 2019
to
Saturday, 19 January 2019
PavillonThéâtre Vidy-Lausanne
Business is slow in this small fog machine factory, and despite inventing astonishing fog sculptures, the owner has to rent out his space to a string trio. The contemplative and musical theatre of Thom Luz pays tribute to the elusive, opening up reality to new wonders.
d'Isabelle Matter
from
Friday, 18 January 2019
to
Saturday, 26 January 2019
Salle René GonzalezThéâtre Vidy-Lausanne
Based on Ödön von Horváth’s workCombining puppetry and video, this sensitive and inventive adaptation creates a contemporary echo of Ödön von Horváth’s novel, written in the 1930s and describing the hopes and disappointments of a young unemployed person who joins the army.
de Massimo Furlan
from
Thursday, 24 January 2019
to
Saturday, 2 February 2019
Salle Charles ApothélozThéâtre Vidy-Lausanne
Accompanied by two dancers and a musician, Massimo Furlan invites Italian immigrants living in Lausanne to share their memories and dreams – of their native Italy that they left behind fifty years ago and modern-day Switzerland that they helped build.
de Thomas Ostermeier
from
Friday, 5 April 2019
to
Sunday, 7 April 2019
Salle Charles ApothélozThéâtre Vidy-Lausanne
On stage, Irène Jacob plays an actress dubbing a film dedicated to Didier Eribon’s famous book, Retour à Reims. Thomas Ostermeier has adapted this sociological essay – in French – which merges personal confessions and analysis to describe how the political left wing and the art world have abandoned the working class to its shame, and how the latter can now only recognise itself in the most radical forms of populism.
de Thomas Ostermeier
from
Tuesday, 28 May 2019
to
Saturday, 15 June 2019
Salle Charles ApothélozThéâtre Vidy-Lausanne
On stage, Irène Jacob plays an actress dubbing a film dedicated to Didier Eribon’s famous book, Retour à Reims. Thomas Ostermeier has adapted this sociological essay – in French – which merges personal confessions and analysis to describe how the political left wing and the art world have abandoned the working class to its shame, and how the latter can now only recognise itself in the most radical forms of populism.
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